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Café Conversation

Assignment 1-1: spend an hour alone in your favorite restaurant (or a restaurant you've always wanted to check out); eavesdrop without being obvious; write notes (on the setting, characters you see and hear; speculate about what came before or after that conversation; imagine their home lives)


I didn't mind that Marla talked more than I. But the reason for that changed over time.

"He worked at the Salvation Army store and although he's going to University and everything, it was just like he was going no where. I couldn't take that, so I told him so."

"A lot of friends I went to University with had extra jobs," I said, irrationally defending Marla's latest victim. "He was going to University, right? He had a future." Irrational not because he wasn't necessarily worth it but because disagreeing with Marla generally encouraged her.

"Maybe in comic books. I mean, he thought wearing Spiderman underwear was cute. Yah, I'm real in the mood."

At first I didn't mind hearing Marla's tales because they were interesting.

"Well what else was he like?" I prompted. Now her tales just saved me from having to speak, myself.

I had realized the difference between Marla and I when one day we ended up talking about our periods (these things just happened with Marla). I'm the type to use euphamisms if I have to discuss it at all. Marla's the type to complain loudly and graphically.

Two years ago when we met at a friend's party I had been intrigued by her. The way she seemed so fearless. Now all I wanted to do was go home. Be anywhere else than listen to her latest tale of her latest failed three month tryst. But it was more than just that. It was realizing you hate pink after buying twelve cans of paint, but using it anyway.

"You know what I mean?" she suddenly asked, mid-ramble. I had no idea what she was talking about.

"MmmHmm," I nodded. How long had I not been paying attention?

But she continued on.

Until she finally looked at her watch some ten minutes later. "Oh shit. I've got to get going." Rising from her chair she collected her jacket. "See you later tonight though, right?"

"Sure." I nodded and she left the small café we'd been lunching at.

As she walked out the door she gave a slight wave backwards.

Why couldn't I do that?


I rather like this one, but found it difficult because of the restriction that it must be short. But it was also a good restriction, as it made me boil away the things that weren't relevant. Maybe something to keep in mind the next time I'm editing.

The in-class critiques unfortunately focused on the fact I had chosen a female protagonist, whereas I was much more interested in the content and what was being said. Still, the reviews were positive.

I approached this differently than it was outlined (as did most of the rest of the class.. interesting). I sat in a coffee shop and wrote down conversational fragments that I overheard, then decided where those led me. I really like that technique now that I've come up with it, but it did lead to some interesting things: overhearing someone talking about spiderman underwear led to the obviously related line. But it strikes me as something I never would have written otherwise, it seems to obvious. But does that just mean I shouldn't be afraid of obvious? The Salvation Army bit was also from a fragment, and also something I'm not certain about.. I don't know that it works that well.. seems forced.

But I leave it as is and am left with something I still like. Almost no one in class (including myself) did what I really felt was the purpose of this assignment: listening to the way people talked and writing more realistic dialog. So maybe I'll go back and try for the dialog angle some other time.

2000 Feb 03 11:00 am; Filed under writing and tagged fiction.
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